WET PAINT SERIES

During the drying process of pour techniques, I found sometimes the pigment was more saturated while wet. These photographs were taken right after a pour to capture a single moment before gravity shifts the composition.

SHOP PHOTOGRAPHY

A photograph from Chalice Meikle’s “Wet Paint” series. These photos were taken right after a pour to capture a single moment before gravity shifts the composition. This photograph shows pools of deep black, purple, and burgundy mixed in with metallics of bright blue, copper, and gold flecks.

A photograph from the “Wet Paint” series by The RealChalice, taken right after a paint pour to capture a single moment in time. It shows a hurricane like swirl in the deep reds, burgundy , gold, and hot pink, spiraling in the clockwise direction. Almost like rain on a radar, a spattering of lime green is present in the northwest corner.

A photograph from the “Wet Paint” series by The RealChalice, taken right after a paint pour to capture a single moment in time. It shows a marbling effect with all the colors of the rainbow, from deeps reds and purple, to shades of yellow and green.

A photograph from the “Wet Paint” series by The RealChalice, taken right after a paint pour to capture a single moment in time. It appears to show a river delta. Black paint butts up to shorelines of green, red, and yellow. An island of color is in the middle of the black channel, parting the waves.

WET WEBS

Growing up in Florida, one of my favorite past times was climbing trees right after a storm. There was more of a challenge with the moss being wet, and the spider webs weren't as scary. Taking my camera on these adventures led me to a mystical concept. All forests are enchanting, but once you are back in your office, staying with the inner child that woke up while exploring outside is hard.

SHOP PHOTOGRAPHY